YOUNGBLOOD SUNDAYS :: FELIX DA HOUSECAT :: BLUEPRINTEVENTS.CA took place on Sunday, June 14, 2009 10:00 PM - 3:00 AM
at Caprice Nightclub
in VANCOUVER BC. More details on the event are below.
EVERY SUNDAY NIGHT AT VENUE
*** THIS EVENT TAKING PLACE AT THE CAPRICE NIGHTCLUB - 967 Granville ***
Launch night with
FELIX DA HOUSECAT [ USA ] www.myspace.com/felixdahousecat
RESIDENT DJ'S W / EXPENDABLE YOUTH & MY!GAY!HUSBAND! www.myspace.com/expendableyouthdjs
www.myspace.com/mygayhusband
“THIS IS MY electronic pop record,” preens Felix Da Housecat midway
through a world tour to promote his latest album ‘He Was King.’
“Whereas ‘Kittin…’ was straight up electro, ‘He Was King’ is straight
Felix Da Housecat pop with a nice electronic feel.” Packed with club
smashes like ‘Kick Drum’ and future synth-pop classics like ‘We All
Wanna Be Prince’ and ‘Spank You Very Much’, his tenth album is
arguably his most concise, complete work since ‘… Glitz’ ripped up
the electro rulebook back in 2001.
But right now, Felix is all about the present and 2009 is a big year
for Felix Stallings. Not only is he about to release his tenth - and
quite possibly best - album, he’s also just graced the cover of club
bible Mixmag with hip hop maestro Sean ‘Diddy’ Combs. That’s because
back in March, he headlined Mixmag’s Main Event 2 at Cameo alongside
DJ buddies Simian Mobile Disco, A Trak, Junior Sanchez and DJ Mehdi.
“That party was surreal to me. I’ve never drink a couple of shots of
tequila and couldn’t get buzzed because the party was so surreal. The
party was the buzz! I was so LOCKED IN, as Puff would say. He said I
played with confidence, that I didn’t give a fuck and that I was
downright disrespectful. I was so focused! But that whole day was a
party. I did 4 parties in 24 hours and was still standing at the end.”
Those close to him know that he’s had a tumultuous couple of years
but 09 promises to be his best yet, both professionally and
personally. “I totally agree. When I did ‘Virgo’ I got tired of doing
the same electro/electro-clash sound: I wanted to do something
different and get my passion back. People liked it but they wanted
was more ‘Ready To Wear’ and ‘Silver Screen’. So now I’ve come back
with ‘Kick Drum’. Already endorsed by Soulwax, Boys Noize and Erol
Alkan, it’s the Felix-flavoured club smash we’ve all been waiting
for. It’s a volte face, sure: ‘Virgo’ was an r ‘n’ b-style electro LP
overseen by Atlanta producer Dallas Austin. Whereas ‘Virgo’ was made
for the heart, ‘King’ is for the heart AND for the floor. Ever the
workaholic, Felix maintains that he never actually went anywhere.
“Totally! My whole thing is I never went anywhere,” he nods. Now I’m
doing what I want to do, I’ve gone full circle and I am at peace.”
But he does admit to being stumped by the reaction to ‘Virgo
Blacktro’. “I had just moved to Atlanta and was still all over the
place. I wanted to do something different but my life was chaotic.
This was my experimental album, my ‘Lovesexy’.” Ever the Prince fan,
he considers his simile. “Well, it was either my ‘Lovesexy’ or my
‘Around The World’. After Prince came with 'Purple Rain', he came
with ‘Around The World’ and everyone was pissed off ‘cos everyone
wanted another ‘Purple Rain.’ But I’m glad I did it because it made
me more hungry!”
So the new album sees a more fresh, focused Felix return to the fray.
A better mindset, stronger songs and a desire to take on the world
again. “My mentality and attitude was the same as when I made
‘Kittenz and Thee Glitz’. We all thieves – I do it too – but I got
tired of people questioning my edge. I guess I got comfortable and
just thought everything would slam. You do have to think about the
radio, the people, the fans and yourself but it was so humbling that
I did that record and people weren’t ready for it.”
‘He Was King’ is a title that leaves nothing to the imagination – and
the record inside is a stately sixty minute adventure in electro-
stereo. “This is my ‘Parade’ or my 1999,” he giggles. “When I heard
Parade I was like ‘maaaan! It was like Prince but a different kind of
Prince. And this time, the record is more campy. I went back to the
silliness. I wanted this to be more fun.”
‘We All Wanna Be Prince’ is pure perfection – indeed, it’s his best
since ‘Ready To Wear’ and a record only Stallings could concoct.
“That’s a good comparison,” he smiles. “It’s sort of like a tribute
but it’s sort of not - I didn’t want to insult Prince! Every lyric on
that record is from a Prince song. It was a last minute thing and
[engineer] BC was working on a song and it was just a kick and I
heard a stab and I said it sounds like something Prince would make.”
The song is great because it sounds so simple: but the creation was
canny to say the least – and they took their cue from Rogers Nelson
himself. “Like Prince, we slowed my voice down, recorded me half
speed thru the computer and then sped me up. I sang it slow like
‘Erotic City’ and we was cracking up. Then I played [guest vocalist]
Ness some Wendy and Lisa and I brought her in and out of the track.
It was a joke but then when the track was done, we realised we really
had something!”
Nese, it transpires, is Felix’s secret weapon. “I met Nese through
Dallas two years ago,” he explains. “She was in a girl band called
Red, they were a knock off of the Spice Girls. They toured with
Alexander O Neil and Bryan Adams. She was doing law when we met…”
They’ve been inseparable since. “Every album I try do it different, I
wanted a dreamy side to it… like a Wendy and Lisa. I wanted to bring
a high-pitched dreamy voice to it - the higher the pitch, the more
twisted and campy the album would be. And we were just hanging out –
and then I said – let’s try this out. I needed a female voice and I
learned in m y career, every time I work with female, the songs come
out more successful.” Suddenly we hear a sweet English voice singing
sweetly in the distance.
$3.00 HIGH BALLS - EVERY SUNDAY
VANCOUVER NEW WEEKLY ELECTRO PARTY