New York
Anders and Kendall
Sunday, February 24, 2013 (7:00 PM - 2:00 AM) | 
Rockwood Music Hall 196 Allen Street New York NY
Anders and Kendall
Location
Rockwood Music Hall
Stage 2
Benjamin Cartel
Grace Weber
Gideon Grove
Brittany Anjou Trio
Anders and Kendall
.jpg)
Location
Rockwood Music Hall
Stage 2
Benjamin Cartel
Grace Weber
Gideon Grove
Brittany Anjou Trio
Anders and Kendall
Anders Parker was the main force behind experimental indie-rock band Varnaline. He has also released four critically acclaimed solo albums and most recently has been a part of the Woody Guthrie project New Multitudes with Jay Farrar, Jim James and Will Johnson.
Kendall Meade is most known for her band Mascott, described by Spin magazine as “a tender indie rock project that combines soft piano and guitar pop with diary-like lyrical intimacy.” She has also performed guitarist, bass player, keyboardist and/or backup singer duties for Sparklehorse, Lloyd Cole, Helium and The Spinanes.
Friends and collaborators since the 90s (Kendall has sung on every record Parker has made since the final Varnaline record), they’ve always wanted to do a project together, but the time was never right. Kendall has a Manhattan day job; Anders was continually working on and touring with his own projects. Finally though, in the winter of 2011, Parker dared Meade to make the project happen. She took it as a challenge, and booked a ticket to Anders’ home in Burlington, Vermont.
The following Spring, they recorded in Knoxville, with Kendall’s old bandmate from Sparklehorse, Scott Minor. Anders’ had done a U.S. tour with Sparklehorse in the ’90s. When it came time to choose a studio and producer, Minor made perfect sense, closing a circle years in the making.
Scott’s analog studio, Wild Chorus, was recently completed, and this is the first full-length album to be recorded there. In tribute, the record was named after the studio.
Minor pulled in his favorite local musicians to back them up, and a record was born. “We believed in the songs, and put a lot of trust in Scott to make great decisions with us and he was spot on every time—with the musicians and his production instincts,” says Parker. From the breezy folk-pop lope of “City of Greats” to the groove of “We’re On Fire, Babe” to the reverb drenched ambience of “Oh Love,” each song has its own distinct style, all captured by Minor’s innate creativity and vintage analog equipment.
Kendall Meade is most known for her band Mascott, described by Spin magazine as “a tender indie rock project that combines soft piano and guitar pop with diary-like lyrical intimacy.” She has also performed guitarist, bass player, keyboardist and/or backup singer duties for Sparklehorse, Lloyd Cole, Helium and The Spinanes.
Friends and collaborators since the 90s (Kendall has sung on every record Parker has made since the final Varnaline record), they’ve always wanted to do a project together, but the time was never right. Kendall has a Manhattan day job; Anders was continually working on and touring with his own projects. Finally though, in the winter of 2011, Parker dared Meade to make the project happen. She took it as a challenge, and booked a ticket to Anders’ home in Burlington, Vermont.
The following Spring, they recorded in Knoxville, with Kendall’s old bandmate from Sparklehorse, Scott Minor. Anders’ had done a U.S. tour with Sparklehorse in the ’90s. When it came time to choose a studio and producer, Minor made perfect sense, closing a circle years in the making.
Scott’s analog studio, Wild Chorus, was recently completed, and this is the first full-length album to be recorded there. In tribute, the record was named after the studio.
Minor pulled in his favorite local musicians to back them up, and a record was born. “We believed in the songs, and put a lot of trust in Scott to make great decisions with us and he was spot on every time—with the musicians and his production instincts,” says Parker. From the breezy folk-pop lope of “City of Greats” to the groove of “We’re On Fire, Babe” to the reverb drenched ambience of “Oh Love,” each song has its own distinct style, all captured by Minor’s innate creativity and vintage analog equipment.
Something wrong with this listing? Report a problem 
Sunday, February 24, 2013 (7:00 PM - 2:00 AM)
Rockwood Music Hall 196 Allen Street, New YorkNY