You are a 23-year-old from rural northern Scotland. Piano has been your instrument, your songwriting tool, since you were ten; your voice has been remarkable for even longer. A tattoo of artist Frida Kahlo a typically single-minded, forthright heroine runs the length of your right forearm.
Some of the greatest names in modern pop have sung your thrustingly exciting compositions: Tinie Tempah (Let Go), Professor Green (Kids That Love To Dance), Tinchy Stryder (Let It Rain), Chipmunk (Diamond Rings), Wiley (Never Be Your Woman). You've also written for divas big (Susan Boyle), small (Cheryl Cole) and medium-sized (The Saturdays). Your dad (from Zambia) and your mum (from Cumbria), who schooled you in music and encouraged your ambitions, are already proud.
Then there are the richly melodic, classically powerful, retro-futurist soul-pop songs you've written for your own debut album. Your love for -- and understanding of -- Nina Simone, Joni Mitchell and Lauryn Hill are obvious, loud and proud.
Then there's the stuff you did in your 'spare time': three-quarters of a six-year degree in medicine at Glasgow University. You specialised in Clinical Neuro-Science, "cause I really like all the brain stuff."
You are Emeli Sande, and you also really like all the soul stuff, all the heart stuff, and all the emotional stuff. Not many people knew it, but you were behind some of the key tracks of 2010. Now you're about to be the voice in front of the freshest debut of 2011. As someone who sweats the writing as much as the singing, you know it's about being contemporary, and timeless.
'I can still relate to a Joni song, even though it's 25 years old' says Sande. 'That's the main and important thing to me. I'm not too bothered about what category my music goes in. But I don't want it to be too cool for school. There's no point in limiting in who you can reach. But I want it to be respected.'