Los Angeles
Markus Schulz
Saturday, August 11, 2012 (10:00 PM - 7:00 AM) | 
Avalon Hollywood 1735 N. Vine St. Los Angeles CA (Hollywood)
Markus Schulz
Must mention OMER/JARED'S list for entry to this event!!
Entrance will be located at the Bardot Entrance!!
What Makes This Promotion Different From All Previous Promotions At Bardot Is That Our Guests Will Be Given Unparalleled Access To Avalon Nightclub, Where You And Your Guests Can Experience Top Djs Performing Every Saturday Night!
Entrance will be located at the Bardot Entrance!!
What Makes This Promotion Different From All Previous Promotions At Bardot Is That Our Guests Will Be Given Unparalleled Access To Avalon Nightclub, Where You And Your Guests Can Experience Top Djs Performing Every Saturday Night!
Markus Schulz
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Over the last 10 years Markus Schulz has fused the individual musical identities of progressive, house & trance into his own creative, now inimitable hybrid sound.
Through a unique alignment of headlining DJ sets, Armada and Coldharbour label output and his highly prominent Global DJ Broadcast radio show, he’s spearheaded a sea change revolution in the US trance scene. This success has been reflected in weekly sets played in front of many tens of thousands, a GDJB listenership up in the millions & one Beatport chart-topper after another.
Following several highly ranked positions, in 2008 Schulz broke into the Top 10 of DJ Mag’s Top 100 chart. He’s remained there for the last four straight years (polling #9 in 2011) and now stands as the busiest international DJ playing out of the United States.
Born in Eschwege, central Germany, Markus emigrated to the United States. Age 13, his dance music awakening came during the grip of the country’s then-nascent breakdance scene. His early production and DJ career roughly tracked that of the second Stateside House explosion and he caught his first production break in 1993 when he remixed Sagat’s ‘Why Is It? (F** Dat)’ for FFrr.
Markus’ freshman production release followed in 1994 with the 6-track ‘Plastik Trax EP Vol 1’. Throughout the mid to late Nineties he continued to accrue acclaim with a range of releases on numerous luminary U.S. labels. In 1998 he recorded ‘You Won’t See Me Cry’ for Plastik Records (his first label), which was picked up by the UK’s Eve Records and became his first non-domestic release.
Through his natural audience affinity, flawless key-mixing and innate tune selection, he has wowed crowds in every major metropolis. Schulz’s DJ career has run largely parallel to that of his productions.
In the early noughties, having concentrated on the hinterland between trance & progressive, he began to reach audiences further and further afield. In 2004 he was signed to the David Lewis Productions agency (home to the World’s No.1 DJ Armin van Buuren) and his career took another big step forward.
Now a regular fixture at the world’s biggest & most famous clubs, arenas and festivals, he lays down his unique trance-progressive vision on a weekly basis. In Europe, he’s smashed Trance Energy, Nature One, Dance Valley, Sunrise, Tomorrowland, Transmission & Pleasure Island; worked tent-pegs loose at Creamfields; gridlocked Global Gatherings all around the world and twice played all-night 8hr solo sets at Armada @ Amnesia in Ibiza. Stateside the colossal Ultra, Electric Daisy & Nocturnal Festivals have all felt Schulz pressure and yet further afield still he’s engineered floor uproar in China and Australia.
Through a unique alignment of headlining DJ sets, Armada and Coldharbour label output and his highly prominent Global DJ Broadcast radio show, he’s spearheaded a sea change revolution in the US trance scene. This success has been reflected in weekly sets played in front of many tens of thousands, a GDJB listenership up in the millions & one Beatport chart-topper after another.
Following several highly ranked positions, in 2008 Schulz broke into the Top 10 of DJ Mag’s Top 100 chart. He’s remained there for the last four straight years (polling #9 in 2011) and now stands as the busiest international DJ playing out of the United States.
Born in Eschwege, central Germany, Markus emigrated to the United States. Age 13, his dance music awakening came during the grip of the country’s then-nascent breakdance scene. His early production and DJ career roughly tracked that of the second Stateside House explosion and he caught his first production break in 1993 when he remixed Sagat’s ‘Why Is It? (F** Dat)’ for FFrr.
Markus’ freshman production release followed in 1994 with the 6-track ‘Plastik Trax EP Vol 1’. Throughout the mid to late Nineties he continued to accrue acclaim with a range of releases on numerous luminary U.S. labels. In 1998 he recorded ‘You Won’t See Me Cry’ for Plastik Records (his first label), which was picked up by the UK’s Eve Records and became his first non-domestic release.
Through his natural audience affinity, flawless key-mixing and innate tune selection, he has wowed crowds in every major metropolis. Schulz’s DJ career has run largely parallel to that of his productions.
In the early noughties, having concentrated on the hinterland between trance & progressive, he began to reach audiences further and further afield. In 2004 he was signed to the David Lewis Productions agency (home to the World’s No.1 DJ Armin van Buuren) and his career took another big step forward.
Now a regular fixture at the world’s biggest & most famous clubs, arenas and festivals, he lays down his unique trance-progressive vision on a weekly basis. In Europe, he’s smashed Trance Energy, Nature One, Dance Valley, Sunrise, Tomorrowland, Transmission & Pleasure Island; worked tent-pegs loose at Creamfields; gridlocked Global Gatherings all around the world and twice played all-night 8hr solo sets at Armada @ Amnesia in Ibiza. Stateside the colossal Ultra, Electric Daisy & Nocturnal Festivals have all felt Schulz pressure and yet further afield still he’s engineered floor uproar in China and Australia.
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Saturday, August 11, 2012 (10:00 PM - 7:00 AM)
Avalon Hollywood 1735 N. Vine St., Los AngelesCA (Hollywood)
Map of 1735 N. Vine St.
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