• Standard 120K with 60K up and 60k down
• 60k {ETC Pars} up will have two {2} 4-lite ACLs and 4 ETC Leko's/26 degree. 6 Robe-Spot 575XT, Pars will be loaded with Narrow Lens
• Midstage truss will have 4 ETC lekos/26 degree with 2 James Thomas Fays {9 lite} and 4 Robe-Spot 575 XT
• 60k {ETC Pars} down with 6 ETC Leko's/26 degree, Pars will be loaded with Medium Lens
• House Left and Right single truss will each have one Robe-Spot 575XT and 5-26 degree ETC leko's each
• Boxing Ring will be loaded with Par 56's as well as Atomic Strobes and Robe Scans/ 250XT, 8-UV Beam fixtures
• Balcony truss will have 12 Par 56 fixtures as well
• Four Strong Cantos spotlights positioned rear house right and house left
• Two JEM Hazers

Sound

• 26 L-Acoustics V- Dosc (13 Left, 13 right)
• 12 L-Acoustics 218 subwoofers (6 left, 6 right)
• 5 L-Acoustics PF12P Full range (balcony reinforcement
• 5 L-Acoustics SB15P subwoofers (balcony Reinforcement
• 1 Yamaha PM5D FOH
• 1 Yamaha PM5D- RH for monitors
• 12 12 AM Clair monitor wedges
• 1 2x18 drum sub
• 2 R 4s side fills with 2x18 subs
• All V-Dosc are powered by L-Acoustic amps
• All audio between mixing consoles and rack room is transmitted down multimode fiber using Optocore gear
• Stage Left had 64 mic inputs, stage right has 48 mic inputs, truck dock has 64 outputs
• All points are patchable
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